Album Review
Renaud Capucon: Un violon à Paris (Warner Classics)
Taken together, it’s not the kind of music you want to hear in isolation
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
Beethoven, Birtwistle: A bag of bagatelles (Wergo)
Those who listen to music with an open mind are going to have a ball with this
Maybe not Yes
With only two remaining members from the classic 70s lineup, a lot is riding on the band’s new album The Quest
Piazzolla Cien Anos (Century Records)
Astor Piazzolla is so intimately identified with Buenos Aires that his wider relevance is often missed
Solem Quartet: The Four Quarters (Orchid)
The Solem Quartet are my frontrunners for the best new talent in 2021
Paderewski & Stojowski: Violin Sonatas (CPO)
I would happily subscribe to an emergent series of forgotten Polish treasures if the quality remained this high
Nikolai Kapustin: 4th piano concerto (Capriccio)
Listening to Kapustin in 2021 is an act of nostalgia, a gesture of defiance to the dictates of fashion
Erno von Dohnanyi: My auntie (Capriccio)
Dohnanyi is as multicultural as they come — he must be due a comeback
Alice Sara Ott: Echoes of Life (DG)
Alice Sara Ott gives Frederic Chopin’s preludes a “dazzling” contemporary twist