At a time when studios are afraid of investing substantial amounts of money in films without a guaranteed audience, it’s time to ditch the snobbery towards popular films

How one misinterpreted film review may have set a dangerous precedent

If one judged the playwright solely on the film versions of his work, one might be forgiven for believing that he had never been particularly accomplished

Nigel Jones warns that cinematic portrayals of historical events and figures could alter how we understand the past

Why can’t film directors let their work go?

David Fincher’s eleventh film is his most personal and revealing yet

A new Netflix release has been trailed as a masterpiece, with myriad claims to Oscar recognition, says Christopher Silvester

This biography is a testament to detailed analysis and intelligent insight, says Alexander Larman

What does the postponement of the new James Bond film mean for the future of cinema?