Culture
What’s the point of political art?
Art that shocks, offends, and amuses has a purpose beyond aesthetic: its existence is a testament to freedom of expression
Horrors of war
Christopher Silvester on two extraordinary films from Eastern Europe shown at the London Film Festival
Our deepest, darkest fears
The transgressive, transmedial and transnational nature of the Gothic genre
Good-natured amateurishness
British musical theatre has nothing on the American slickness
How Britain really eats
Lisa Hilton enjoys a Thai feast that shows that fiery and exotic has now become mainstream
Thai feasts, muscular unionists and literary panjandrums
The Critic Narrated: Episode Four, with Lisa Hilton, Henry Hill and our Secret Author
Jugular vain
Hannah Betts artfully curates the perfect neckmess
Morning glory
Why must breakfast be a meal bereft of imagination? Felipe Fernández-Armesto offers an alternative
Breathtaking… and empty
The formidably long run-time of Dune leaves viewers with little world-building and a lack of colour
Overarching view of the air war
These two volumes are a solid starting point for understanding the British and Commonwealth air war