Krzysztof Penderecki
Krzysztof Penderecki: Credo (Hänssler Classics)
The climaxes are sensational, some of the strongest music Penderecki ever created; we may never see its like again
Lifetimes of self-isolation
Composing in seclusion
Childhood reclaimed
Mobile phones have been constraining our kids’ imaginations — but it does not have to be this way
A night of spectacle and special effects
Stranger Things: The First Shadow designers aren’t afraid to raid the treasure trove
Seeing through Judith Butler
Very little substance lurks within the obscure prose
Murders for March
Sharp lines, twisting plots and colourful characters
The EU’s war on Hungary
As news breaks of secret EU plans to cripple the Hungarian economy, who can still believe it respects national sovereignty?
NATO’s unhappy birthday
The world is growing more dangerous and its members need the will to confront new challenges
Saltburn and the significance of sound
Why has Sophie Ellis-Bextor’s “Murder on the Dancefloor” caught the world’s attention again?
How to mainline true crime
People are tuning in for entertainment, not pure information
Love in a remotely-controlled climate
If we outsource our decisions to
machines, we will be less capable
of navigating our own feelings
A festival for women — and men?
You cannot address the underrepresentation of women by including men
Why Britain needs more empty homes
The UK’s housing sector is straining at the seams; empty units and second houses are a sign of economic health
