Lebrecht’s Album of the Week
Malcolm Arnold: A centenary celebration (Somm)
Orchestras should be ashamed of their aversion to the composer
Album of the Year: 2021
2021 has yielded more memorable albums than you can count on the fingers of two hands
Ferrucio Busoni: Elegies (Chandos)
British pianist Peter Donohoe’s recital is a perfect pick-me-up for Covid gloom
Hans Werner Henze: The Sea Betrayed (Capriccio)
I was completely absorbed by this opera as a sound production — maybe one day I’ll get to see the whole show
Brahms 4th symphony, MacMillan Larghetto for orchestra
The Larghetto’s organic optimism transcends present woes and looks to bright eternity
Renaud Capucon: Un violon à Paris (Warner Classics)
Taken together, it’s not the kind of music you want to hear in isolation
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
London Nights (Capriccio)
Intelligent and well played though it is, Franziska Lee’s album of Londonoid piano pieces can’t make a bad sonata better
Emily D’angelo: A n ar gei a (DG)
This debut album is a treat for the senses and a tonic for tired tastes
The Polish Volin, Vol. 2 (Chandos)
The atmosphere is so thick you’d need a charcuterie knife to cut it