Lebrecht’s Album of the Week
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
London Nights (Capriccio)
Intelligent and well played though it is, Franziska Lee’s album of Londonoid piano pieces can’t make a bad sonata better
Emily D’angelo: A n ar gei a (DG)
This debut album is a treat for the senses and a tonic for tired tastes
The Polish Volin, Vol. 2 (Chandos)
The atmosphere is so thick you’d need a charcuterie knife to cut it
Round Midnight: Dutilleux, Merlin, Schoenberg (Erato)
This is razzle-dazzle entertainment; keep it by your bedside
Beethoven, Birtwistle: A bag of bagatelles (Wergo)
Those who listen to music with an open mind are going to have a ball with this
Piazzolla Cien Anos (Century Records)
Astor Piazzolla is so intimately identified with Buenos Aires that his wider relevance is often missed
Solem Quartet: The Four Quarters (Orchid)
The Solem Quartet are my frontrunners for the best new talent in 2021
Paderewski & Stojowski: Violin Sonatas (CPO)
I would happily subscribe to an emergent series of forgotten Polish treasures if the quality remained this high
Nikolai Kapustin: 4th piano concerto (Capriccio)
Listening to Kapustin in 2021 is an act of nostalgia, a gesture of defiance to the dictates of fashion
