Music
Money doesn’t smell
What’s the point of refusing Sackler funds for concert halls?
Unexpected music and a crisis of theology
The Critic Narrated: Episode Six, with Sarah Ditum and David Scullion
The unusual, the unsigned, the uncategorisable
Hip-hop has its place, but not necessarily on an alternative daytime radio station
Lana chameleon
Pitchfork was one of a whole ecosystem of taste-making blogs which laid claim to being the ones who had made del Rey
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
London Nights (Capriccio)
Intelligent and well played though it is, Franziska Lee’s album of Londonoid piano pieces can’t make a bad sonata better
Spare us the skintight sonata
If Yuja Wang were to strip everything right down to the music, she could be a sensation
Play it again, Sam
Nostalgia has long been the key to pop’s survival
To the bitter end
Why on earth would we want to see the same tawdry old stories endlessly re-enacted?
Long players
As long as the fans are alive, it seems that a band can keep going