Natasha Brown
Contemporary writing with a twist and a tug
In this month’s fiction selection, John Self discovers novels that successfully use their style to enhance rather than simply describe the story
In praise of the viola
Cantabile: Anthems for viola (Delphian)
A real pea souper
Rivers of filth bear our merry band to the grotesque wonders of Dickensian London
Free speech in free fall
As British freedoms are continually eroded, much of the liberty lobby seems to have nothing to say
All roads lead to WPATH
How the strange, dark history of the gender movement built our strange, dark modern world
The sacred and the profane
Allowing a “Rave in the Nave” in Canterbury Cathedral was a regrettable error of judgement
Plain English by committee
The effect of the Woolf reforms was to replace one set of legal jargon with another
The Cass Review is not the end
Gender ideologues are not going to give up in the face of facts
February letters
Questioning Cameron, cautioning Houellebecq and disputing the image of God
Giving noticing a bad name
Observing factual differences is not the same as leaping to conclusions
Struggles of a veteran matador
Familiarity can make the heart grow cooler, but greatness can still prevail
Campus confidential
Inside the secret Cambridge societies hiding their unfashionable views