Opera
Wagner, restless provocateur
Wagner’s sexual ambiguity spoke to Oscar Wilde, Aubrey Beardsley and Thomas Mann, says Norman Lebrecht
Met with disappointment: a quiet season for postmodern New York
Manhattan’s cultural landscape faces more tough times ahead with the cancellation of the Met’s 2020/2021 season
A grim chorus of philistines
Rishi’s £1.57 Billion handout to the arts sector is the last good news it’ll ever hear, says Robert Thicknesse
To the streets, via the Crush Bar
Robert Thicknesse on Opera
An opera critic in lockdown
The critic, like a used-up traveller in ladies’ corsetry in a Fifties film, is enjoying a happy furlough
The welcome sound of silence
For three days I listened to nothing but birdsong, marvelling at the variety and the volume
Wildest dreamland
It’s the perfect medium for the End Times, unequalled in its devotion to doom
Men beware women
How we underestimate the women in Mozart’s Cosi fan tutte
Less austerity, more pizazz
Grand opera was long thought quite dead but is suddenly rearing its shaggy head again