Psychology
Touchy-feely and not that new really
We’re more than our emotions
I don’t protest for my health
Kill the bill to save democracy — not self care routines
Let’s face it
Governments use masking to force compliance, not fight viruses
Sacred calves
Parental regret should be taboo — because the children might be listening
When comedy goes right, it’s very wrong
The Goes Wrong Show expertly mines hilarity through disaster
Continued mask wearing won’t help us return to normal
Psychologists know it will do the opposite
A year of fear
Dr Gary Sidley analyses the language of fear that has been peddled throughout the pandemic
The detransitioners
Is it transphobic to worry about people who regret their surgery? David Scullion speaks to psychotherapist James Caspian and photographer Laura Dodsworth
Psychosis in an age of surveillance capitalism
Can an app help treat mental health issues?
The dark psychology of Extinction Rebellion
The deathly symbolism of Extinction Rebellion is designed to make us conform to extreme measures
Keir’s comms catastrophe
Labour’s goal is clear but its messaging is anything but
Art sales slump
Real world issues have quenched the post-COVID euphoria
Reading Winston Churchill
Half a century on, we’re still learning more about Britain’s most famous Prime Minister
When the farmers took on Starmer
It was an inspiring day in London as farmers resisted Labour’s class warfare
How the Tories can win again
The new leader of the Conservatives must reach an important, ignored sector
Donald Trump is a wake-up call for Europe
We cannot complacently depend on the US
How long can Ireland’s gender equality hold?
A gender divide in voting is not as clear as in other countries — but that could change
Tinker, Tailor, Soldier, Prince
Is he simply a desperate chancer, or a genuine threat to British interests?
Tawdry tales
The Tales of Hoffmann, Royal Opera House
The case for duelling
A Modest Proposal: If yes to assisted suicide, then why not duelling?
Complex fractions
Where is the joy and the reward of owning a fractional share in individual art?
