Theatre Review

Music has inspired two fine new productions

“Operation Mincemeat” does not quite live up to the hype

Those expecting a recipe for poulet à la Gazza may be disappointed

Our new theatre critic promises to be fair and unmoved by doctrinaire groupthink

The fun of “Dear England” is dampened by therapy speak

These new productions of Richard II and Much Ado About Nothing are pacy and fresh

The Score – Theatre Royal Haymarket

The show is a handy barometer of changing sensitivities about free speech in comedy

The Old Vic’s “A Christmas Carol” is properly affecting

A drama based around the shaky paradox of deterrence no longer feels like a dusty throwback