Theatre
Fact or Fiction: an introductory guide
As the misrepresentations in The Crown call for historical dramas to be clearer in their creative license, Romeo Coates offers a brieg guide to fact and fiction in drama
The roaring boy Macbeth
Why Peter O’Toole’s 1980 performance at the Old Vic is remembered for all the wrong reasons
Carving out a new genre
Digital theatre is now beginning to offer stalls-starved audiences the kind of quality work they would have queued to see live
Fond memories of Sean Connery
I struggle to think of a more glorious spectacle than the sight of Sean flashing that winning smile
Smart work from the Old Vic
The Old Vic shows the way
The courage of Kate Winslet
One cannot imagine how profound Ms Winslet’s pain must be to now regret working with Woody Allen and Roman Polanski
American Utopia
Facts are overlooked in American Utopia’s HBO concert film to accommodate the systemic white racism narrative
A playwright who aims big
Anne McElvoy on writers and players who can transfer skills to the small screen from the big stage
Streaming Daniel Kitson
The Interminable Suicide of Gregory Church explores the possibility of human connection
Who will be the next National Treasure?
After Dame Judi Dench’s resignation as a “national treasure”, Romeo Coates considers the runners and riders for the role