Theatre
The Royal Shakespeare Company at 60: a very happy birthday?
Muted celebrations, concerns of relevance and controversial origins — Alexander Larman delves into the RSC at 60
Concern grows over Hugh Bonneville
And Piers Brosnan’s Irish accent leaves something to be desired
Radio cashes in on theatre’s loss
Radio drama is prone to over-signalling regional differences, says Anne McElvoy
Why can’t we have a good film of Noël Coward’s plays?
If one judged the playwright solely on the film versions of his work, one might be forgiven for believing that he had never been particularly accomplished
A tasty tester for a better year
The Comeback is a gutsy British response to a period of glum hardship
Fact or Fiction: an introductory guide
As the misrepresentations in The Crown call for historical dramas to be clearer in their creative license, Romeo Coates offers a brieg guide to fact and fiction in drama
The roaring boy Macbeth
Why Peter O’Toole’s 1980 performance at the Old Vic is remembered for all the wrong reasons
Carving out a new genre
Digital theatre is now beginning to offer stalls-starved audiences the kind of quality work they would have queued to see live
Fond memories of Sean Connery
I struggle to think of a more glorious spectacle than the sight of Sean flashing that winning smile
Smart work from the Old Vic
The Old Vic shows the way