Theatre

Alexander Larman considers Rufus Norris’s vision, and the future of the National Theatre.

Like Wilde, Tom Stoppard has finally realised the importance of being earnest

In a free reworking of “Cyrano”, it takes pizzazz to rewrite French alexandrines in the manner of Eminem

An interesting new West End show about young millennials has echoes of far older classics

Alexander Larman explains how pantomime went upmarket

The radical East German playwright Heiner Müller and Michael Frayn have a lot in common

Domingo is far from the monster that America’s #MeToo movement has made of him

Andrew Cusack remembers the apotheosis of criticism

The Old Vic’s abolition of women’s toilets is an outrage