Theatre

Chekhovian gloom echoes across the centuries, but Vanya needs new impetus to avoid museum status, says Anne McElvoy

“Albion” takes up the challenge of the moving goalposts of Brexit and social and economic fragmentation, says Anne McElvoy

Alexander Larman considers Rufus Norris’s vision, and the future of the National Theatre.

Like Wilde, Tom Stoppard has finally realised the importance of being earnest

In a free reworking of “Cyrano”, it takes pizzazz to rewrite French alexandrines in the manner of Eminem

An interesting new West End show about young millennials has echoes of far older classics

Alexander Larman explains how pantomime went upmarket