Theatre

The delicate process of writing the biography of a wary Sir Ronald Harwood

British musical theatre has nothing on the American slickness

Anne McElvoy gives kudos to Cush Jumbo, who has a star’s ability to rise above the inadequacies and shine bright

Gilliam is now 80, and seems as cheerily intent on causing trouble and controversy as ever

Fates in this unforgiving industry are long decided

Lucien veers between lamenting modern theatre’s disdain for “truly serious work” and suspecting that it all could have gone a great deal worse

Do pop stars have what it takes to succeed in the theatre?

How the paternal gorgon finally attracts our empathy, waging a last intellectual battle

Ian McKellen’s Hamlet meets impossibly high expectations

Without taxpayer handouts, will the arts finally be forced to give people what they want?