Turner Prize
The Turner Prize’s identity crisis
The art establishment has revived competent drawing in spite of itself
Art for oligarchs’ sake
Divorced from aesthetic considerations, the modern art business is a refuge for the uber-rich
Cancel the Turner
It looks like it was made by artists who don’t like art and chosen by judges who don’t either
Murders for November
Another mélange of murders, from Japan to Scotland
Is “progressive realism” either?
Weighing up the rights and wrongs of the Lammy Doctrine
Sinn Féin sullied the cenotaph
Apologists for terrorism should have had nothing to do with Remembrance Sunday
The price of victory
Benjamin Netanyahu has won battles, but there is no foreseeable end to the war
Why Trump triumphed
The Democrats had too many self-inflicted disadvantages to overcome
Murders for October
Tales from the gothic to the macabre
Not a relaunch
Is that a PLAN FOR CHANGE in your pocket or are you just pleased to see me?
Tom Stoppard’s Hampstead drama
Best not try to memorise this deceptive Connect Four of relationships — just get into the flow
The Critic guide to glass ceilings
On the self-made men (and women!) of the Labour Party
Fiddling while Canterbury burns
The new proposals from the Archbishops’ Commission for Racial Justice are depressingly wrongheaded
Who are the Scottish Conservatives?
The election of Russell Findlay to lead the Scottish Conservatives reveals a party that doesn’t know what it stands for
