Hilary Hahn: Paris (Deutsche Grammophon)
Hahn’s finely honed skills as a violinist are seldom in demand on this one-star album
Im Abendrot (DG)
The baritone Matthias Goerne sings with a voice like brushed velvet and diction clearer than iced vodka in this five-star album
Myth of Igor, the Great Composer
Norman Lebrecht says an affair with Coco Chanel did Stravinsky’s PR, and hers, no harm at all
Krzysztof Penderecki: Credo (Hänssler Classics)
The climaxes are sensational, some of the strongest music Penderecki ever created; we may never see its like again
Alexei Stanchinsky: Piano works (Ondine)
Stanchinsky occupies a tonal territory midway between Rachmaninov and Scriabin; an amalgam of suppurating misery and crackpot visionary
Friedrich Gulda: Symphony in G (SWR Musik)
Gulda’s Symphony in G has 35 minutes of invention, which is more than can be said for most late-twentieth century symphonies
Take a leaf out of sport’s book
Music has lost its unpredictability, its thrilling fear while sport’s passion shines, says Norman Lebrecht
Alexander Tchaikovsky: Quarantine Symphony (Toccata Classics)
Alexander Tchaikovsky’s Quarantine Symphony triggers a subtle, wordless response to the things we are experiencing
György Ligeti: The 13 Etudes (Hyperion)
If you want to know what a piano can do, you really need to settle down with this absorbing world of sound
Hungarian Serenade (Naxos)
The outstanding Offenburg String Trio play a gripping compilation of some of the most richly coloured and painfully consequential music you are ever likely to hear
