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If abolition was capitalist propaganda, what of corporate involvement in social justice?

A performance space without walls or limits

A propaganda film which attempts to define womanhood misses the mark

Ravilious’s ethereal, understated paintings are quietly dazzling

Putin learned post-Cold War warfare from the West

Will the real David Mamet please stand up?

Brontë’s lines anchor the frenetic action in Emma Rice’s over-the-top production

Patrick Porter and Sam Ashworth-Hayes discuss the Ukraine invasion

Sexism in a dress is still sexism