The Critics
Megalomania
Megalopolis is a gaudy, self-indulgent mess
Gothic staging
The Turn of the Screw, Coliseum
Why can’t there be more vampires?
Bloodsucking, in various more or less metaphorical guises, is after all opera’s happiest place
Oasis: the good boys of rock and roll
For guitar bands since punk, there’s been a tension between credibility and success
Aggers declares — the end of an era
It has been an assured innings, and a long one
Less than the sum of its parts
Eugene Onegin, Royal Opera
St. Vincent
The acclaim is excessive but the talent undeniable
When America ignored a slaughter
Whatever America’s flaws, its absence from the global stage leaves a space quickly filled by far more malevolent actors
The art of violence
High jinks in the Groucho Club are small beer when compared to the misdeeds of their artist ancestors
The attractions of extremes
Are we going to become ever more passive consumers of other people’s thoughts and memories?