The Critics
Lucia di Lammermoor, Royal Opera House
It’s an amazing paradox that something as tawdry as opera can produce such a pure expression of what it is to be human
Making art of the Holocaust
As dramatic opera, The Passenger inhabits a grey zone of guard–prisoner relations
Loony tunes
Opera begs leave to celebrate lunacy in a different way
Having a bad Bey
If you’re going to jettison the essence of the song, why even bother?
X scandal
The fault lay in the dirty minds of the viewers, he said
“Trad” theatre can still feel fresh
West End strikes a balance between keeping their spine and nostalgic appeal, whilst avoiding creakiness
Violent delights
It’s 30 years since Pulp Fiction hit cinemas, and what a time it was to be young
Walter’s Arctic Circle is a winner
Welcome to a kaleidoscopic showcase of topical dramas in vivid settings
Word pictures at a gallery
Paintings are appreciated best when there are few people around to spoil the view
Two sides of the weird frontier
The archly neutral now stands on the margins, looking out at a society of fear and outrage
