The Critics

Just as Taylor has nailed the emotional lexicon of her people, Finn has nailed it for his

The first Impressionist exhibition was no obscure bit of posturing, but artistic sedition

Wilde’s preoccupation with beauty and artifice brings a sassy Victorian immorality tale into our own times

Movie length seems to have become a way for directors to tell us what serious people they are

Set mainly in Nazi-occupied Paris, The New Look tells the story of Coco Chanel and Christian Dior

Mariana Spring is back, with another series to set the songbirds a-twitter

A month of politically-minded podcasts has reached its exhausting apogee

LeBor reviews Our Dad the Nazi Killer and Masters of the Air

Some weeks there are comedians and groovy journalists — others it’s groovy journalists and comedians

Alex Garland’s Civil War is filled with terror and horror