The Critics
Editors deserve more credit
Christopher Silvester on the essential, and undervalued, part editors play in film and documentary creation
A playwright who aims big
Anne McElvoy on writers and players who can transfer skills to the small screen from the big stage
Loved Bond, hated Billie
A good Bond song should include swooning strings, stabbing horns and a chorus the size of the moon, explains Sarah Ditum
An extreme form of criticism
Works by Michelangelo, Velázquez, Rodin, Rothko and Mondrian have all been vandalised for reasons of mental instability or political activism or both, informs Michael Prodger
Sex tips from Semele
Opera was the tinder of Renaissance Venice, says Robert Thicknesse
Wagner, restless provocateur
Wagner’s sexual ambiguity spoke to Oscar Wilde, Aubrey Beardsley and Thomas Mann, says Norman Lebrecht
Latex memories
Spitting Image (BritBox)
Who will be the next National Treasure?
After Dame Judi Dench’s resignation as a “national treasure”, Romeo Coates considers the runners and riders for the role
Why I “took the knee”
Following a brief loss of balance in a London watering hole I ‘took the knee’ – but that doesn’t detract from the symbolism
Waiting for – anything
Krapp’s last tape might these days be a collection of WhatsApps and stored Instagram images, muses Anne McElvoy