The Critics

Women may now account for 64 per cent of fine arts graduates in Britain but research shows the old values remain entrenched, says Michael Prodger

“Albion” takes up the challenge of the moving goalposts of Brexit and social and economic fragmentation, says Anne McElvoy

For a folk hero this Ned has zero contact with the ordinary Irish folk who will supposedly come to love him, says Christopher Silvester

Adam LeBor strikes television gold

The most expensive post-war work sold last year fetched just over $91 million. The most expensive Old Master sold for $21.5 million

As soon as you enter Idagio.com you can kiss your working day goodbye

Watching Greta Thunberg and the hysterical devotion she arouses, I am reminded of Judaism’s best-known self-styled redeemer

Opera really doesn’t need the help of activist directors when it comes to politics — it’s all there already

In a free reworking of “Cyrano”, it takes pizzazz to rewrite French alexandrines in the manner of Eminem