The Critics
Finn noir
A Bergmanesque miasma of gloom hangs over every episode in this new Scandinavian thriller
Dear and hateful
Christopher Silvester shows how Konchalovsky has one of the strangest careers in world cinema
Elusive quest for impartiality
I would cavil at the curse of the presenter monologue, tending to sway the audience one way or the other, reveals Anne McElvoy
Mystery of the lost Rembrandt
Michael Prodger tracks the story of a lost masterpiece
Not Justin time
Sarah Ditum says that the focus on Timberlake as a bad agent conveniently forgets the machine behind him
Losing the plot
Robert Thicknesse reveals how in searching for meaning, opera adaptations are becoming more obscure
Myth of Igor, the Great Composer
Norman Lebrecht says an affair with Coco Chanel did Stravinsky’s PR, and hers, no harm at all
Concern grows over Hugh Bonneville
And Piers Brosnan’s Irish accent leaves something to be desired
Radio cashes in on theatre’s loss
Radio drama is prone to over-signalling regional differences, says Anne McElvoy
Swim and tonic
The latest buzz from our back-stage gossip
