Issue: April 2024

No conductor from China or Japan ever commanded world orchestras before Seiji Ozawa, and none has since matched his impact

Unsurprisingly, the most brilliant of all English music-theatre pieces are mostly overlooked

Just as Taylor has nailed the emotional lexicon of her people, Finn has nailed it for his

The first Impressionist exhibition was no obscure bit of posturing, but artistic sedition

Wilde’s preoccupation with beauty and artifice brings a sassy Victorian immorality tale into our own times

Movie length seems to have become a way for directors to tell us what serious people they are

Set mainly in Nazi-occupied Paris, The New Look tells the story of Coco Chanel and Christian Dior

Mariana Spring is back, with another series to set the songbirds a-twitter

A month of politically-minded podcasts has reached its exhausting apogee

Was there an appetite at the time for monumental buildings, equivalent to those in Moscow?