Issue: March 2022

There’s a strange delight in the commercially unviable single chair

James O’Brien’s LBC morning show is a thundering, sanctimonious bore

The modern theatrical world isn’t kind to its older actors

Great architecture emerges as much from tension as coherence

The best, and the not-so-great, new fiction to read this month

These two new histories of the holocaust add little to what is already known

Number 10, as a court, is now more-or-less sui generis

No infectious disease has left its scars on the body of literature like tuberculosis

The self-justifying self-portrait of a journalist who never made it