Issue: March 2022
Singles club
There’s a strange delight in the commercially unviable single chair
The oh-so clever life of O’Brien
James O’Brien’s LBC morning show is a thundering, sanctimonious bore
The unheard lessons of howling feedback
Separating the signal from the noise
Ken’s troubles
The modern theatrical world isn’t kind to its older actors
Studio: The English Baroque
Great architecture emerges as much from tension as coherence
A return, a reissue, a brilliant new voice
The best, and the not-so-great, new fiction to read this month
Searching in vain for Hitler’s lethal edict
These two new histories of the holocaust add little to what is already known
Courting disaster
Number 10, as a court, is now more-or-less sui generis
TB or not TB: the literature of consumption
No infectious disease has left its scars on the body of literature like tuberculosis
Golden boy turned starstruck rube
The self-justifying self-portrait of a journalist who never made it
