Horror
Getting the creeps
How should we cope with the unsettling in everyday life?
Why can’t there be more vampires?
Bloodsucking, in various more or less metaphorical guises, is after all opera’s happiest place
A night of spectacle and special effects
Stranger Things: The First Shadow designers aren’t afraid to raid the treasure trove
The Pan Book of Horror Stories: top-drawer gore
Their lurid covers were catnip to bloodthirsty, impressionable teenagers
What happened to horror films?
Watery idealism is robbing the genre of its fear
Ghosts of Christmas past
Why Brits love their yuletide horror
The monster that lurks within us
The enduring popularity of fantasy and horror fiction proves that we still live in the long, dark shadow of the Gothic novel
The rise of meta-horror
In 2022, a new Scream film must face down more than monsters
Our deepest, darkest fears
The transgressive, transmedial and transnational nature of the Gothic genre
The Thing: 40 years on
Left to freeze by Thatcher’s censors, The Thing has finally been recognised as John Carpenter’s best film