Napoleon
The artistic case for historical accuracy
There is no conflict between being truthful and being compelling
Return of the biopic
History is fashionable again at the cinema
The Revolution’s shadow
How did conflict affect British politics?
Boney’s PR man
Antoine-Jean Gros: the artist behind Napoleon’s image
Most Read
The martyrdom of Young Bob
On ebbing power of the political influencer
Grooming gangs and the truth
We should not give ammunition to deniers of the grooming gangs scandal
Why has Keir Starmer been so unpopular?
He was the perfect embodiment of a failing system
Babies need women
Leaving children with only men who are not their parents is foolish and dangerous
Stop ignoring the Islamisation of our democracy
The British state is bending to Islamism, not attempting to defeat it
Classic is back
Why contemporary art may be losing ground
Manic and messianic
The Resistible Rise of Arturo Ui, Royal Shakespeare Company
Remembering 2020
It is important to remember what an irrational and hostile time it was
At a loose end
We are making young adults un-ready for work
An elusive eatery
Total failure, redeemed by souvlaki and chips at the kebab stand
Rewatching a TV show from a lost world
In River Cottage, a chef escaped to Dorset from London in search of the good life
Will Spain become a Protestant country?
How immigration is changing the religious dynamics of a traditional Catholic stronghold
One year later
Despite the Supreme Court ruling, the gender argument is not going anywhere
Hey, Starmer, leave those kids alone
Banning under-16s from social media is more prohibitionist stupidity
The flawed thinking behind state suicide
Kathleen Stock demonstrates the value of a philosopher’s analytical mind in a sharp critique of assisted suicide
Our new five-party system
First-past-the-post no longer means
an electoral carve-up between the
Tories and Labour, allowing “fringe”
parties real political influence