Suella Braverman
The childishness of grown-ups
Why there is no sensible debate of immigration
The phantom menace
Reports from the space opera of British politics
Potemkin politburo
Alles klar, Herr Kommissar?
Conflict and the need for clarity
On equalities and rights
All Trussed up
Everything was on track for Liz, until Mordaunt derailed the campaign
In Sparta: how Brexit happened
ERG leaders, and Rob Hutton, reflect on how the Tories almost collapsed over MV3
You can’t ride two horses
It’s time to make the office of attorney general a non-political public appointment
Shock: there is a pregnant “person” in the Cabinet
Legislation on maternity leave is now drafted to apply to “a person” not “a woman” who is a mother
Silk but no silken tongue
Sometimes the top legal officers need to give the government advice it doesn’t want to hear
The real rogue state
Wherever the outrage is about the success of Sinn Fein, there hasn’t been a word from Brussels
Critic election day special — William Clouston
We look at one of the election’s untold stories — the emergence of a revived SDP
The Turner Prize’s identity crisis
The art establishment has revived competent drawing in spite of itself
The final lap
Senna dives into the high-speed Tamburello corner and never comes out of it
The illusion of normality in Nikopol
Determination and death on the front lines of Ukraine
Schrödinger’s sex binary
We have to resist the mass gaslighting of women and girls
Troublesome women
Rebellious heroines and unscrupulous heroes
Was The Bible written by slaves?
A new book maintains that enslaved scribes and readers may have affected the shaping of Christian ideas
The “shameless disrespect” of Judith Butler
The celebrated academic is too ideological to understand and accept different opinions
Remove the kid gloves
“Votes for 16-year-olds” has exposed our incoherent attitude towards young people
The blunders that restored the Crown
The Fall: Last Days of the English Republic by Henry Reece
“Trad” theatre can still feel fresh
West End strikes a balance between keeping their spine and nostalgic appeal, whilst avoiding creakiness
