Theatre
Dinner in the Bloodlands
Belarus Free Theatre brings moral complexity to the table
Atticus updated
A new Mockingbird is masterful
Who should run the RSC next?
Someone has to suffer the slings and arrows of outrageous fortune
Why are we allowing “The Family Sex Show”?
We need to ask hard questions about what we expose our children to in the name of “inclusion”
Do we really need so many stage adaptations of novels?
There’s much that can go wrong when the drama of a book is transferred to the stage
Art as resistance
This Belarusian play at the Barbican is timely and urgent
Ken’s troubles
The modern theatrical world isn’t kind to its older actors
Noel Coward’s public genius
This production of Private Lives amuses as much as it moves its audience
I am not what I am
Will the real David Mamet please stand up?
Heartless Heights
Brontë’s lines anchor the frenetic action in Emma Rice’s over-the-top production