Artillery Row
Instruments of shock and awe
Jean Sibelius/Arne Nordheim; The Tempest (Naxos/LAWO)
The human subject
Tár is a film of moving ambiguities
Tanks for the memories
The British Army’s main battle tank is back in action
Is Sturgeon’s exit good or bad for the UK?
Unionists shouldn’t celebrate prematurely
London’s arteries
Man Made Wonders: How the electricity gets to your phone
On the politicisation of death
The tragic death of Brianna Ghey deserves a better response than the culture war
I was on trial for praying for free speech
I was acquitted — but I should never have been arrested
A conversation with CRITIC1
Meet our new chatbot
Politics and culture are upstream of each other
On the false dichotomy between ideas and law
Academics attack!
Attempts are being made to silence gender critical women
The building that inspired Orwell
Was there an appetite at the time for monumental buildings, equivalent to those in Moscow?
Wearing shades
We plebs aren’t supposed to buy designer-influenced fast fashion anymore
Has Israel walked into a forever war?
A brutal conflict seems unlikely to be winnable any time soon
Hatred and mental illness are not mutually exclusive
Violent men being mentally ill need not make broader societal phenomena irrelevant
Is a guaranteed sale fair?
Auction house practices may be distorting the picture
A great conductor leaves the stage
No conductor from China or Japan ever commanded world orchestras before Seiji Ozawa, and none has since matched his impact
Murders for March
Sharp lines, twisting plots and colourful characters
Stopping the devolution ratchet
More devolution will not solve the worst consequences of devolution
Retail politics
Beware a politician who has a book to sell
Criminal damage remains criminal
A new judgment has challenged a convoluted legal defence of property damage
The meaning of Navalny’s death
This tragic event illustrates the cruelty and fragility of the Kremlin
