The Critics

The creators of Gangs of London could learn a lot from SAS Rogue Heroes

A feminist frame that doesn’t fit

How John Gabriel Borkman is a hard Ibsen play to like

The cause of death, in this coroner’s verdict, is a prolonged failure to address reality

Where are the Young British Artists of Saatchi’s ‘Sensation’ now?

Munch at the Musée D’Orsay

Two compulsive, immersive and vivid end-of-empire series

Political thrillers from South America

Having the hots for Tosca