Cinema
What does the Carey Mulligan controversy tell us about film criticism today?
How one misinterpreted film review may have set a dangerous precedent
Why can’t we have a good film of Noël Coward’s plays?
If one judged the playwright solely on the film versions of his work, one might be forgiven for believing that he had never been particularly accomplished
The history twisters
Nigel Jones warns that cinematic portrayals of historical events and figures could alter how we understand the past
The unkindest cut
Why can’t film directors let their work go?
The career of David Fincher – not so black and white?
David Fincher’s eleventh film is his most personal and revealing yet
His own best character
A new Netflix release has been trailed as a masterpiece, with myriad claims to Oscar recognition, says Christopher Silvester
A pair of Czech masterpieces
Two new Czech masterpieces
Tom Stoppard: A private man now on parade
This biography is a testament to detailed analysis and intelligent insight, says Alexander Larman
No Time for Cinema to Die
What does the postponement of the new James Bond film mean for the future of cinema?
Goodfellas at 30
‘As far back as I can remember, I always wanted to be a gangster’.