Cinema
Sequel opportunities
What does Amazon’s purchase of MGM mean for cinema?
A life in focus
Director Betrand Tavernier was able to admire both blacklisted directors and those who named names
Is Hollywood bullying the next #MeToo?
New revelations about Hollywood producer Scott Rudin are a sad but unsurprising indictment on the entire industry and its practices
Nomadland takes the hat-trick
From digital streaming to diversity, Christopher Silvester rounds up the longest ever awards season
The men with the megaphone
A new history of movie directors is full of insight, felicitous phrases and subtle put-downs
Letter to Brezhnev: a lesson for today?
The 1985 film directed by Frank Clarke is a homage not only to Liverpool, but to hope, risk, and love
Are overcomplicated back stories killing drama?
As Line of Duty now seems mired in the complexity of its own backstory, Alexander Larman asks if on-screen plots have become too complicated for us to enjoy
Dear and hateful
Christopher Silvester shows how Konchalovsky has one of the strangest careers in world cinema
Martin Scorsese vs Marvel: a tale of two different cinematic perspectives
At a time when studios are afraid of investing substantial amounts of money in films without a guaranteed audience, it’s time to ditch the snobbery towards popular films
What does the Carey Mulligan controversy tell us about film criticism today?
How one misinterpreted film review may have set a dangerous precedent
