Fiction
How to become a cult writer
What does it take for an author to become idolised way beyond their literary merit?
Do we really need so many stage adaptations of novels?
There’s much that can go wrong when the drama of a book is transferred to the stage
Welcome returns for three Irish writers
Why is the publishing industry so obsessed with debuts?
Young Stalin’s unlikely London holiday
Stephen May’s new novel is a triumph of historical fiction
The Critic Books Podcast: The Golden Rule
In discussion with novelist Amanda Craig about her latest book
Writing outside the box
Elena Ferrante’s essay collection is an exploration of the delights and constraints of form
A return, a reissue, a brilliant new voice
The best, and the not-so-great, new fiction to read this month
On and off the road
Jack Kerouac’s reputation should rest on his whole oeuvre — not just his most famous novel
The Critic Books Podcast: Edgware Road
A debut story of family mystery and intrigue — set between London, Oxford, and Karachi
Will the real Elena Ferrante please sit down?
It is her words and voice, not her purported identity, that matter to her fans