Music
Original sin
Robert Thicknesse on the woes of modern, British opera
The rare breed of the conservative rock star
It is a strange world we live in when a musician’s personal politics leads to as much uproar as Winston Marshall’s case has
Vienna’s hapless missing link
Zemlinsky’s music is arresting and his ideas fertile and diverse, but he often goes unnoticed
Swift reprise
Swift’s latest project is even more interesting than the imaginary motherhood album she pinned her hopes on
French Class
Michael Collins looks back Bertrand Burgalat’s career as the architect for the modern French pop sound
Notes on a doomed affair
Norman Lebrecht on how Marion von Weber was both interesting and important to Mahler’s emergence
And the band played on…
The appointment of a chief conductor little affects the general performance of an orchestra
Blurred history
Britpop has a bad reputation for stolid, white-boy basicness now, but it’s not a reputation Parklife deserves
Not Justin time
Sarah Ditum says that the focus on Timberlake as a bad agent conveniently forgets the machine behind him
Losing the plot
Robert Thicknesse reveals how in searching for meaning, opera adaptations are becoming more obscure