Theatre

This Belarusian play at the Barbican is timely and urgent

The modern theatrical world isn’t kind to its older actors

This production of Private Lives amuses as much as it moves its audience

Will the real David Mamet please stand up?

Brontë’s lines anchor the frenetic action in Emma Rice’s over-the-top production

Terry Gilliam holds court in exile

A new production of Hamlet takes one too many leaves out of Morrissey’s playbook

Rupert Goold’s Spring Awakening was too woke to be stirring

New Lord Chamberlains are policing the stage with puritan zeal

Kenneth Branagh does seem to like taking his clothes off