Theatre
Art as resistance
This Belarusian play at the Barbican is timely and urgent
Ken’s troubles
The modern theatrical world isn’t kind to its older actors
Noel Coward’s public genius
This production of Private Lives amuses as much as it moves its audience
I am not what I am
Will the real David Mamet please stand up?
Heartless Heights
Brontë’s lines anchor the frenetic action in Emma Rice’s over-the-top production
Go west, young man
Terry Gilliam holds court in exile
I’ll meet you at the cemetery gates
A new production of Hamlet takes one too many leaves out of Morrissey’s playbook
Grope springs eternal
Rupert Goold’s Spring Awakening was too woke to be stirring
The censor returns
New Lord Chamberlains are policing the stage with puritan zeal
All mouth, no trousers?
Kenneth Branagh does seem to like taking his clothes off