The Critics
TikTok goes the clock
It took me a while but now I really appreciate Amy Winehouse
How about some vistas of beauty?
Covent Garden’s first post-lockdown offering is in a long, grim tradition
No direction from directors
Music directors who fail to provide any direction in times of crisis
The courage of Kate Winslet
One cannot imagine how profound Ms Winslet’s pain must be to now regret working with Woody Allen and Roman Polanski
Lost dream of coexistence
Adam LeBor delves into The Bureau, the utterly absorbing French spy thriller series
Editors deserve more credit
Christopher Silvester on the essential, and undervalued, part editors play in film and documentary creation
A playwright who aims big
Anne McElvoy on writers and players who can transfer skills to the small screen from the big stage
Loved Bond, hated Billie
A good Bond song should include swooning strings, stabbing horns and a chorus the size of the moon, explains Sarah Ditum
An extreme form of criticism
Works by Michelangelo, Velázquez, Rodin, Rothko and Mondrian have all been vandalised for reasons of mental instability or political activism or both, informs Michael Prodger
Sex tips from Semele
Opera was the tinder of Renaissance Venice, says Robert Thicknesse