The Critics

The Deer Hunter remains the most affecting of Vietnam movies, Christopher Silvester writes

Summertime and the streaming is easy, but Netflix’s White Lines leaves Adam LeBor cold

Our board-treading gossip columnist grapples with actors on Zoom

The critic, like a used-up traveller in ladies’ corsetry in a Fifties film, is enjoying a happy furlough

Adam LeBor has found one of the most immersive, and exhausting, experiences television has to offer

Al Capone’s relationship with the movies goes back a long way, writes Christopher Silvester

Shelley’s story prompts us to consider the relationship between The Almighty and man

Everything with The Beatles happened at double time, thrilling but draining too, says Sarah Ditum

For three days I listened to nothing but birdsong, marvelling at the variety and the volume

Lockdown tales from our showbusiness mole