Art

As dramatic opera, The Passenger inhabits a grey zone of guard–prisoner relations

On the forums that bring together dealer and buyer

A new history of graffiti and rebellion is less light and bawdy than one may have expected

This kind of adolescent tripe passes these days for thought

People are asking why the classic art market has declined — and will it recover?

Marcel Duchamp’s rule-breaking provides real lessons for the right

The auction houses’ love expensive brands

In Brussels, Surrealism lurks in the most unexpected places

Eric Ravilious’s ethereal watercolours chime with today’s sensibilities

CUTE, a new exhibition at Somerset House is a deliciously unsettling stroll down the uncanny valley