Michael Craig-Martin and the sad afterlife of conceptual art

It is easy not to judge appalling cultural practices from a distance

The Boys from Syracuse, Upstairs at the Gatehouse

Opera is “relatable” already

There is a third way between civic nationalism and ethno-nationalism

Gatekeeping the “real” meaning of songs is foolish and futile

Sexed: A History of British Feminism. Susanna Rustin

Did popular culture peak four decades ago?

Does the World Press know what constitutes photojournalism?

Great art that speaks of today cannot be made in a climate of fear