Alex Garland’s Civil War is filled with terror and horror

Taboo-breaking counterculture paved the way for the return of the very fascism it claimed to subvert

We should be giving copies of this magazine away at every screening

Why has Sophie Ellis-Bextor’s “Murder on the Dancefloor” caught the world’s attention again?

Michael Mann’s Ferrari shows how ambiguity and contradiction fuels us

“The Boys On The Boat” is wholesome but unconvincing

The values Frank Capra celebrated seem to be fading in our times

Godzilla Minus One may not be especially profound but it is great fun

On Ridley Scott’s Napoleon and the challenge of biopics

Robin Hood marked the beginning of a steep decline for the much-loved brand