What to watch inform yourself about the rich Ukrainian cinematic tradition

A quintessentially English spirit of wry rebellion lives on in two new films

In 2022, a new Scream film must face down more than monsters

Why “Non Crime Hate Incidents” don’t seem to apply to the cops

Christopher Silvester on two extraordinary films from Eastern Europe shown at the London Film Festival

The formidably long run-time of Dune leaves viewers with little world-building and a lack of colour

It’s Wes Anderson vs Edgar Wright in the battle for the coolest ever soundtrack

Christopher Silvester on a war movie with no rousing patriotic music or violence, but nevertheless filled with unexpected delights and discoveries

Is Sir Ridley Scott a surprising feminist?

The home of mid-budgeted literate films aimed at adults is no longer at the cinema