The director of Goodfellas has debased his talent

The recent restoration of Erich von Stroheim’s Foolish Wives shows that the original movie is astonishingly modern

The idea that there are multiple universes and that it might be possible to “‘versejump” is surely one way of explaining the cinematic urge

Laura Dodsworth interviews Matt Walsh, the man behind the controversial new film on gender

“War is the original human state,” Russian directors seem to say

It has fallen to Scorsese to rescue the reputation of Powell and Pressburger

What to watch inform yourself about the rich Ukrainian cinematic tradition

A quintessentially English spirit of wry rebellion lives on in two new films

In 2022, a new Scream film must face down more than monsters

Why “Non Crime Hate Incidents” don’t seem to apply to the cops