#MeToo
Why are great writers such awful people?
In the wake of renewed controversy over Philip Roth’s treatment of women, Nigel Jones asks whether there is a link between creative genius and sexual unorthodoxy
Hollywood whinge-fests undermine contemporary feminism
Hollywood is often a slimy, cynical business, but weaponizing feminism against a critic you don’t like is a new low
Why contemporary feminists are wrong about policing children’s television
Once we start using the political concerns of the adult world to moralise about the imaginative realm of children, we’re in trouble
The Mirror of #MeToo
Luciano Garbati’s new work expresses a widespread decline in symbolic literacy
Thrown to the #MeToo wolves
The intolerance of the professional class means a supreme court judge must now live in infamy
Pretty prose and ugly reality
Review: “Believe Me: How Trusting Women Can Change the World” by Jessica Valenti and Jaclyn Friedman
The beauty of Jeremy Brett
Why any self-respecting heterosexual male needs a man-crush
#MeToo’s lying stooges
I believe all women except the ones accusing Biden
Publish and Be Damned
Woody Allen and the #MeToo mob
Snook dazzles as Dorian Gray
Wilde’s preoccupation with beauty and artifice brings a sassy Victorian immorality tale into our own times
Renewing academia
The Centre for Heterodox Social Science represents a positive alternative to a field increasingly dominated by progressive ideology
Clerical error
Clergy should be in the business of saving souls, not stamping passports
The coddlin’ of the British dance
How Britain’s anarchic rave scene turned authoritarian
The human condition, in Wales
The universal and the particular sit awkwardly in this Cardiff exhibition
The poverty of miners’ strike nostalgia
We should not romanticise a futile and sometimes thuggish struggle
What’s with all the fuss over Simon Fanshawe?
The writer and activist’s nomination as Rector of Edinburgh University has been oddly controversial
Murders for April
April is the cruellest month, breeding detective fiction out of the dry land
Disbanding St John’s Voices would be cultural vandalism
Modern bureaucrats should leave our choirs alone
Winning sinner
That 1999 Tour needed Armstrong quite as much as he needed it
Sexy simplicity
For February, try a palette cleanse
