Damien Hirst
Why Damien Hirst is the perfect artist for the pandemic
Damien Hirst’s work encapsulates the sterility, isolation and obsession with death of these times, says Alys Denby
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Gary Stevenson is wrong about wealth taxes
The popular economist is irritating, but more importantly he is mistaken
Why they hated Ann Widdecombe
Fair-minded people could agree or disagree with her opinions. Left-wing bigots hated her for not abandoning them
Ethnic minorities are abandoning Labour
It is not just Muslim voters who have been abandoning the Labour Party
Critical briefing: the Chişinău Declaration
Why the Chişinău Declaration is more of a symbolic gesture than a chance for real reform
What has Labour learned?
Pinning the failures of the government on Keir Starmer alone will not work
The emperor’s old advisor
McSweeney’s performance before MPs suggests age and experience hasn’t brought clarity — only better excuses
Where are all the ambitious Scots?
Whole sectors were once dominated by Caledonian migrants
Where is Britain’s vision?
Modern Britain has acquired a lack of national purpose, except for policies that are self-harming
Will London fall?
If the Greens take London, what might happen to policing?
A massive cross-party achievement
The new V&A East Museum has surpassed all expectations
The tyranny of memes
Modern would-be assassins are products of the internet
