Gaza Conflict
Mehta’s protest over the Gaza war
In the run-up to his 90th birthday, Zubin Mehta decided to sever contact with Israel
Hatred without end
A year on from October 7th, mutual dehumanisation and refusal of moral responsibility characterises our “debate” over the Gaza war
Stateless in Gaza
Gaza can no longer be left to rot
The actors quitting Equity
Racism is perfectly acceptable so long as it’s the fashionable type
Most Read
Gary Stevenson is wrong about wealth taxes
The popular economist is irritating, but more importantly he is mistaken
Tame Impala fails to impress
unconquered by a
taste of Crusader food
Why they hated Ann Widdecombe
Fair-minded people could agree or disagree with her opinions. Left-wing bigots hated her for not abandoning them
Ethnic minorities are abandoning Labour
It is not just Muslim voters who have been abandoning the Labour Party
How to fix the economy
A repentant ex-financial trader tells all
Publishing has an AI problem
From reviews to actual books, creativity is being outsourced to machines
Bonfire of the fallacies
Two opposing ideas about hard power and foreign policy — legalism and nihilism — are being exposed by the Trump
administration
Climate alarmism must not be unquestionable
We have succumbed to herd-like thinking over renewable energy
Escape to the country
Some tractor-acceptance meditation might help with moving day
Angst, Nazis and forgotten treasure
Transcription / You Are the Führer’s Unrequited Love / For the Love of Willie
Peston’s Inbox
Keir has my complete backing – Wes
Literary freedom is in the gutter
The disappearance of a praiseful review for a “cancelled” writer is as disturbing as it is bizarre
The NHS is no longer above question
People are finally, if grudgingly, waking up to its flaws
Eine kleine Berlinermusik
Berlin! Berlin! Berlin! (Bis); Love Maps (TXYart)
Save our green and pleasant land
It’s time to stop ruining Britain’s countryside with drab, identikit houses and instead build real places with focus, heart and purpose
Strange new world
A new art history hinges on a proleptic reading of Edwardian history