Theatre
Hip-hop with a Weimar vibe
Bertolt Brecht’s didacticism puts off a lot of people who are sympathetic to a marxist world view
Kenneth Tynan: a riposte to Equity
Robin Ashenden says the critic would have declared war on an ill-judged edict
Julien Spirtle
Comeback Kid
The finest actress of her generation
How Helen McCrory blazed through her life and career like a comet
Paul Ritter: a consummate scene-stealer
Alexander Larman recalls the life and legacy of Paul Ritter, who has died at the age of 54
The Royal Shakespeare Company at 60: a very happy birthday?
Muted celebrations, concerns of relevance and controversial origins — Alexander Larman delves into the RSC at 60
Concern grows over Hugh Bonneville
And Piers Brosnan’s Irish accent leaves something to be desired
Radio cashes in on theatre’s loss
Radio drama is prone to over-signalling regional differences, says Anne McElvoy
Why can’t we have a good film of Noël Coward’s plays?
If one judged the playwright solely on the film versions of his work, one might be forgiven for believing that he had never been particularly accomplished
A tasty tester for a better year
The Comeback is a gutsy British response to a period of glum hardship