Ceramics
The Critic Interview: Grayson Perry
Richard Brooks accompanies the Turner Prize-winning artist around his new show and explores his troubled pre-therapy youth
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Gary Stevenson is wrong about wealth taxes
The popular economist is irritating, but more importantly he is mistaken
Tame Impala fails to impress
unconquered by a
taste of Crusader food
Why they hated Ann Widdecombe
Fair-minded people could agree or disagree with her opinions. Left-wing bigots hated her for not abandoning them
Ethnic minorities are abandoning Labour
It is not just Muslim voters who have been abandoning the Labour Party
How to fix the economy
A repentant ex-financial trader tells all
The delusions of the DCMS
The establishment approach to the internet is marked by paranoia and control
Kurdish delight
Witnessing ancient traditions that have endured through fraught and tumultuous histories
The ends of Pan-Africanism
An exhibition devoted to Pan-Africanism avoids important political and aesthetic questions
Orbánism is not dead
The veteran Hungarian prime minister is going but his agenda lives on
A memo crying in the wilderness
Why does the Church of England now sound like an HR department?
Hurry hurry to Chop Chop
Gambling on Cantonese cuisine
Peston’s Inbox
Farage: I’m not worried
Questionably loyal opposition
A “rainbow coalition” between Conservatives and the Greens raises questions about the state of the Tories
Babies need women
Leaving children with only men who are not their parents is foolish and dangerous
Most of the world thinks differently to us
Universalism is based on irrational ideas about human nature
Better Slayyyter than never
Like the first Strokes album if Max Martin had produced it